Illustrating Animals With 13 Circles

Veridic Technologies Pvt Ltd:- If you can make a bird out of circles, then you can probably make all sorts of animals. I wanted to add something more design-based to my portfolio, so I made that my personal challenge. The idea was to draw animals from exactly 13 circles, and I decided to match that number by making 13 animals. This makes for a nicer title for the project, and it helps to get others to share it around the web, too. Knowing what you want to create early on helps, because then all you have to do is figure out ways to make it happen.

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Getting Started: Sketching I prefer to sketch things on paper first, but you can do so digitally as well. First, I chose some animals that I didn’t think would be extremely difficult to draw. Then, I chose prominent features of those animals to focus on. I also Googled logos, designs and illustrations of the animals to see what features other people emphasize. When limited to 13 circles, you can’t fit everything! For example, with the monkey, all I could fit were the ears, the long tail and the outline around the eyes, leaving me with few circles to play with, but that’s OK.

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While sketching, I kept track of the number of circles I was using, counting one for every curve. If I had too many circles, I would examine them to see if two curves could somehow come from one circle. For example, in the part of the giraffe below, the orange circle serves as both the top of the left horn and the bottom of the ear:

Illustrator Link

After I had a sketch I was happy with, I photographed it or scanned it to my computer.Before I began, I decided on a size for the project. This is important for consistency and to keep things moving quickly in Photoshop and After Effects. I chose 8 × 10 inches at 300 DPI (or PPI), just in case I decided to print them after, because that’s a common print size. I also felt the ratio would be good to turn them into animated GIFs later.

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Here are the first steps to take in Illustrator:

  1. Open your sketch, or drag or paste it into your sized document. Select the sketch, and click Ctrl + 2 to lock it in place.
  2. Draw circles using the Ellipse tool (L); to make perfect circles, hold Shift while dragging. You can find the ellipses by holding or right-clicking the Rectangle tool. Select your circle(s), and set the fill to none, and choose a small stroke to work with. Hide the sketch layer once you’ve finished by clicking the eye.
  3. Select all of your circles by enabling the Selection tool (V) and dragging from one corner over the entire screen. Resize them to the size you want the animal to be in the document. This is important if you want to save time later.
  4. With the circles still selected, we’re going to make a backup by clicking Ctrl + C, then clicking “New Layer,” then clicking Ctrl + F. This pastes in the exact same location. Hide the backup layer.
  5. Click the Shape Builder tool (Shift + M), choose a fill color (removing the stroke), and click in the parts of the circles that you want to fill in.
  6. Once you’re happy with the shape, isolate all the filled shapes from the circles by clicking on one and then going to menu “Select” → “Same” → “Fill Color”. Once they’re selected, you can simply copy them, select & delete everything in the document (we backed up the circles), and press Ctrl + F to bring back just the filled shapes.

Instead of the Shape Builder tool in step 4, you could also use the Live Paint Bucket tool (K), which allows you to move the circles safely while keeping your area filled in, and then you would expand at the very end.

Sometimes the curves I sketched didn’t perfectly form a circle, so I’d have to go back and move a few curves around or change their sizes. If you merely want to suggest some shapes in your animal (rather than being explicit), you may have to add more circles. For example, sometimes I would want an area to be cut out, such as the inside of the fox tail. Other times, I would want an area to be a different color from the rest of the shape, such as the toucan’s beak. There are many ways to create separation.

At this point, I had the animal (still in pieces), a hidden layer with the circles, and a hidden layer with the sketch.

 

Sometimes, at this point, I would turn the animal into one solid shape. To do this, select the animal, open the Pathfinder panel (in the menu, “Window” → Pathfinder, or Ctrl/Cmd + Shift + F9) and click the “Unite” option. The paths might have small flaws, but you can usually fix those using the Direct Selection tool (A), which allows you to click individual anchors and paths to easily move, modify or delete them.

Often, however, rather than turning an animal into a solid shape, I would add a bit of shading using gradients. I would often add these to one section of the animal, and I would use the same method as above to select a couple of pieces of an animal and merge those pieces into one (often, my animals would be in two or three pieces by the end).

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In this example, you can see that I used different shading methods on different parts of the monkey. Above the monkey’s eyes, I used the Mesh tool (U) to get a gradient that follows the curves. A fast way to add a mesh is to click an object and go to “Object” → “Create Gradient Mesh.” I’m not an expert with this tool yet, so my attempt is more of an experiment.

Underneath the monkey’s face, I simply used a regular gradient. A fast way to apply a gradient to an object is to click the object and press the period key (.). Then, in the menu, go to “Window” → “Gradient” to open the Gradient panel and change the settings of that gradient.

Because I knew I would be bringing the animals into Photoshop after, I simply shaded them with shades of gray. This way, if I wanted to use different blending modes with colors and textures, the hues that I chose would be retained.

Photoshop Link

Create a document in Photoshop of the exact size as your Illustrator document (this is to make things easy and is not a requirement). I also stayed with the RGB color space because my focus is the web, but I can always convert to CMYK later if I want to print. Before bringing in the animals, I would create the background first.

I started with the colors. There are many ways to create gradients. I started with a white background and then simply stacked a few transparent layers of lightly brushed colors. Sometimes I would further tweak the colors using an Adjustment Layer such as “Curves” (experiment to find what works best for you).

Once you’ve got the color gradients down, it’s time to add some texture! I experimented with many different textures that I downloaded online — you can find many by searching for terms like “free paper texture.” There are also some nice textures on Subtle Patterns, but they’re usually small image tiles meant to be repeated, and I personally don’t like repeating ones.

I often used a subtle paper texture as a base and then used other textures to bring out more light and dark speckles. It’s easy to bring out speckles from a texture using Curves or Levels. All of my textures are overlaid using different blending modes, as well as by experimenting with opacity.

Below are the noise layer and the texture image that I used for the background above:


And below are the layers for the background, along with my settings for each Curves layer. The really crazy curves were the ones I used to bring out different parts of the textures, such as the speckles.

As I said, experiment with Photoshop’s functionality until you’re happy. Here are the layers for this background, starting from the bottom:

  1. a blank white background;
  2. lightly painted colors at a small opacity using the brush;
  3. noise (“Filter” → “Noise” → “Add Noise”) at a 41% “Overlay” blending mode, sometimes enlarged or blurred;
  4. a texture layer with “Color Burn”;
  5. a Curves adjustment layer clipped to the texture layer, to create a high contrast for the speckles in the texture;
  6. a texture layer again, rotated to a different position and a “Color Burn” of 40%;
  7. a Curves layer clipped to the texture, this time bringing out the textures in a different way;
  8. a blue layer set to “Divide” at 37%;
  9. an overall Curves layer to brighten the entire image (including the monkey).

Once my background was ready, I brought in the animal as a smart object. Use smart objects whenever possible. I simply copied and pasted the animal from Illustrator. Because the documents are the same size, the animal should be pasted into Photoshop at the same size. I didn’t resize the animal in Photoshop, so that I could easily align the circles in a further step.

Here are the layers I used for the monkey:

  1. a monkey smart object;
  2. a stamp of only the background (Ctrl + Alt + Shift + E), clipped to the monkey, at “Multiply”;
  3. another stamp of background, clipped to monkey, with a “Hard Light” of 34%;
  4. another stamp of background, clipped to the monkey, with “Multiply” set to 34%;
  5. a Curves layer, clipped to the monkey, to brighten it up;
  6. a “Hue/Saturation” layer, clipped to the monkey, to make the hue a more blueish-purple.

Here are a few points in the evolution of the monkey:

Illustrator Again Link

It’s almost time to animate! I animated in After Effects, although many programs will do it (Photoshop has some basic animation capability, too).

Use “File” → “Place” (Shift + Ctrl + P) to place the Photoshop file in Illustrator as a linked object; this way, if you need to make any changes in the Photoshop file, it will automatically update in Illustrator. Placing the file in the top-left corner anchor works best, from what I’ve seen. Next, bring back your circles by unhiding the backup layer we created. You may have to drag and change the order of the layers to stack the circles on top, and you might have to realign them to your animal if it has moved.

In case you need to slightly resize the circles, select them and use the width (“W”) and height (“H”) boxes on top to change the size in small increments. Make sure the chain in the middle is activated, to maintain the proportions.

I had to put each circle on a separate layer so that I could animate them in After Effects. I simply created 13 new layers, then dragged a circle into each one. Your file will look like this:

After Effects Link

First, download and install Ease & Wizz, which will make the movement of our circles a bit more interesting — moving in slow, speeding up quickly, and ending slow again. This is a “name your price” script, so you could technically download it for $0.

 

Start a new project, go to “Import” → “File” (Ctrl + I), and select your Illustrator file. But make sure where it says “Import as Footage,” you change it to “Composition — Retain layer sizes.”

If the composition doesn’t open up right away, double-click it in the “Project” tab. If you’re planning to resize the composition, make sure to click the little gear icon to the right of it.

It might also be a good idea to choose an animation frame rate before starting (“Composition” → “Composition Settings”). I chose 20 frames per second because I knew my animation would be quite short and would loop. If you’re working with a longer animation, you should lower it, because animated GIFs with a high number of frames can end up being too big in size.

Select all of the layers except for the layer with the background; right-click and choose “Create shapes from vector layer.” These are the shapes we’ll be animating. The original Illustrator layers should still be there, but their visibility should now be off.

Choose a shape layer, and click its contents; to the right of it, where it says “Add,” select “Trim Paths.” First, I set “End” to 0%. Clicking the stopwatch near “Start” or “End” will activate the keyframes for that action and turn blue. A keyframe will be created at that point, depending on where your indicator is placed. It’ll be a small diamond.

Depending on which direction you want the path to disappear (clockwise versus counterclockwise), you might have to start with “Start” or “End.” Below is an example of what I did to make the circle be invisible at first for a moment, appear into the frame, pause, and then disappear in the direction that it appeared. The timing isn’t what I used for my project — it’s just an example.

 

Then, I added the Ease & Wizz effect. Open the plugin by going to “Window” → “Ease and Wizz” (.jsx). Then, highlight and select all of the keyframes, and click “Apply” (I used the plugin’s default settings). The percentage text should now be in red. You could also drag the plugin window into your toolbar, so that it’s not floating around.

 

 

I also gained some knowledge while working on this:

  • I’ve never really drawn so many animals before. I realized with this project that you’re not really drawing the animal — you’re mainly just drawing its features! That takes a lot of the pressure off.
  • I also realized that experimenting with textures can be extremely difficult and sometimes hit or miss. Start building your texture collection folder early on! I wish I had started years ago.
  • I discovered the color table trick only after getting extremely annoyed when some of the GIFs would suddenly look horrible when I’d change their size by a slight amount (for example, 50 pixels in width). Always be open to discovering tricks, even in the applications most familiar to you!
  • This was probably my third time making something in After Effects, so there was a lot of tedious trial and error here, as well as some help from a friend. It helps having friends who share your passion.

I did many things that could probably have been done more quickly or easily. This was a learning experience. If you have any tips for making these types of animations faster, better or easier, feel free to share in the comments!

Hope you enjoyed the animations!

Full Preview Of All 13 Illustrated Animals Link

Owl made from circles

 

Rabbit made from circles

Monkey made from circles

Elephant made from circles

Toucan made from circles

Giraffe made from circles

Mouse made from circles

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Dog made from circles

Owl made from circles

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Fox made from circles

Whale made from circles

Frog made from circles

Walrus made from circles

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Article Sources :-  https://www.smashingmagazine.com/2017/01/illustrating-animals-13-circles-drawing-tutorial-challenge/

Navigation Designs

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These pictures might attract more individuals into your web site due to their attractive appearance. You simply need to make certain you’ll only choose graphic images and colours which are appropriate for a church website. For a church web site, if your church has several divisions in various portions of the country or the globe, you might simply put the word position on the navigation button located at the website main page. Then you may use the drop down menu to choose the state or country to assist visitors go directly to their desired region and find your nearest church to them location.

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CSS Layout for Websites

Veridic Technologies Pvt Ltd :-Even though CSS layouts have been around for many years, they have not become so commonplace until recently. This was apparently due to restricted browser support – to day however, CSS 2.0 is suitable with over 99% of browsers out there. It’ll make you money.

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Raster and Vector Graphics

Veridic Technologies Pvt Ltd :- Even at a time when the internet was just beginning, and once each document designed in Microsoft Word was covered in ugly generic cartoon pictures, there were freely available images called Clip Art. The idea behind Clip Art was to provide images which might be used freely in documents, without worrying about copyright.

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This concept was something invented by Microsoft, and now’s slightly dated. In the year 2009, the internet is now awash with free legal media licensed under what’s called a creative commons license. Creative commons is a license that allows original artists to share their work, be it a song, an image, a video, and have others using it under the conditions provided.

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That is a good thing because it allows you know where you stand in regards to copyright, which if you’re a designer is an excellent thing. You do not want your customers to get in trouble over a mistake you’ve made with copyright. Vector graphics are images created in applications like Adobe Illustrator or Corel draw.

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Vector graphics are scalable, and an efficient format for images which use a lower color range, like cartoon illustrations and logos. Now the cool part is if you combine vector graphics with a creative commons license is that you’ve a whole heap of legal pictures available to use for your graphic design projects.

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Perhaps you wish to design poster for work, and you’re unsure on how to assemble find legal images to use, or you need an image for use on the company web site, but are unsure where you stand with copyright.

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Just about every web site has been designed utilizing these front end programming languages. The front end code determines the structure, design, layout and navigation of the website. This code would typically refer to images placed in a folder and place them to make the web site look like is all fits together. The back end programming languages are very different to their front end counterparts, but usually they need to work together to make the design and function come together as one. The main back end languages used are PHP, ASP, JSP, ColdFusion . These languages are utilized for what’s called a dynamic website.

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Dynamic web sites are typically connected to a database that stores info for the web site and may be updated utilizing a CMS. It can store all the text, the images, statistics, members and anything else. Some web site designers choose to use the content management system and specialise in re designing and customising the software. Other web site designers choose to build their own content management systems using their preferred web programming language.

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These custom built systems can be specifically tailored to the web sites features where as their pre-built counterparts usually have certain guidelines to stick to. There are various factors that contribute to an internet site working and functioning well.

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Careers in Web design

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Functional web design

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Large scale animations are utilized as major interactive tools, which carry out the only function – to make a notable impact upon people, who’ll visit the site. Those elements are essential, if you aim at making users stay at the web site for so long as possible. Small scale animated objects, in their turn, are manifested as hover tools, spinners along with other minor elements, which could make the web site design look complete and finished. Among the most famous animations web site designers make use of nowadays one can mention loading animations, non-scrolling and hover animations, slideshows and galleries, scrolling and motion animated elements as well as background videos and images.

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While some experts point out that web sites created with the implementation of responsive web site design techniques look very comparable and not distinctive, other specialists believe that this isn’t so. They point out quite the opposite thing, saying that responsive web sites are created for individuals, who give preference to functional and user friendly sites. It’s no wonder, because many people don’t need complicated solutions. What they really need is easy-to navigate web sites, which could make their on-line browsing experience more convenient and quick.

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Future of web design

Veridic Technologies Pvt Ltd :- Needless to say that web site design trends are incredibly changeable. They’re impacted by different factors, so it’s close to difficult to tell what tendencies will reign in annually or two in advance. The year 2015 has already passed and web site design specialists now can characterize the fundamental developments that are likely to be found in 2016. Professional web site designers understand how significant fonts and colours are, with regards to site creation. In 2016, typefaces are going to become bigger, more daring and more tasteful, while colours will not be muted. This is going becoming a remarkable change in the on-line type rendering – the one which has been anticipated for quite a very long time.

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Being among the more important tools that help bring the interest of consumers, cinemographs won’t lose their popularity in 2016. The year 2015 has brought remarkable developments to the way cinemographs look today. The major event which has changed their reputation is the accessibility of those live pictures on the advanced iPhone devices. The pictures that appeared static before, have now become animated and this couldn’t, but captured the focus of users. Correspondingly, web site designers are going to make use of all of the cinemographs characteristics to create visual effects that haven’t existed before. This is going becoming a brand new trend in the market that will demonstrate the consuming power of those images.

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The next change will influence the use of illustrations that are going to predominate over the photos. Gone are those times when conventional picture headers were used at the web sites, which makes them look similar. Today, the scenario has changed and the use of illustrations, that are regarded more personal and distinctive, became widespread. Well, some designers try to combine the use of pictures and images, however this will scarcely bring the wanted effect.

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It is because pictures can be altered to your liking, thus revealing the real essence and assignment of a resource, while pictures remain static and can’t be fixed to the requirements of your web site. Storytelling is comparatively a brand new web site design style, so you’ll find only a few samples of how this attribute can shift the whole perception of the website. You’ve probably seen the web sites presented by Lidyana and Nike. In case you’ve, then you really understand what I mean.

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Art Typography

Veridic Technologies Pvt Ltd :- Graphic design is an innovative process that combines art and technology to convey thoughts. It’s the procedure for conveying visually using typography and pictures to present info, typically used whenever visual intricacy and ingenuity are needed seriously to present text and visuals. It could also be applied to the layout and formatting of informative material to make the info more accessible and more readily comprehended. Designing a master piece graphically is the art of combining text and images to convey an efficient message. It’s primarily utilized in the design of symbols, pamphlets, newsletters, posters, signs, along with other form of visual communication.

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Graphic design is the use of words and pictures to pass on info or to create a specific visual effect. This art form might be referred to as industrial art due to its application to marketing and its essential contribution to company function. Graphic design practice includes an extensive array of cognitive abilities, aesthetics and crafts, including typesetting, visual arts and page layout. Graphic designers have a distinguishing ability to sell an item or idea through powerful visual communications, and are requested to undertake the challenging task of being innovative every single day. Combining visual rhetoric abilities with the interactional rhetoric abilities of user interaction and internet branding, graphic designers frequently work with web programmers to produce both the feel and look of a website and improve the on-line experience of web site visitors.

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Colour can be an additional powerful way of assisting users find their way around a site, and colour coding portions of the site helps consumers determine where they . Graphic design adds a visible and psychological circumstance to the strictly cognitive text on the site. The primary tool for this art form is, fundamentally, the creative mind. With the coming of computers and applications apps, the task of the designer became a little simpler, as these have supplied more efficient generation tools than conventional approaches.

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It’s an innovative career and things which were once only conceived in the mind are introduced to life through abilities and imagination. There’s a drawback to the inclusion of graphic design on sites. Many designers have attempted to force the Web to be what it is not, producing unsuccessful and at times unusable sites. There’s an inclination to overlook that phrases, and not pictures, are the building blocks for the majority of sites.

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